Harry Miller’s Run

Harry cover

Harry Miller’s Run

By David Almond, Illustrated by Salvatore Rubbino

 

Published by: Candlewick (February 7, 2017)

Available in: hardcover, paperback

At the time of this review this was a standalone book.

 

Real.

Harry Miller’s Run is a tender, funny, quirky, exuberant chapter book with… no chapters. Particularly for American readers, the dialect-heavy text is a bit of a treasure hunt for meaning, but a hunt worth every effort. This book inhabits a kindness, whimsy, hard truth, and compassion rarely found in children’s books.

Harry is an old man, and the bulk of the story is his re-telling of an epic afternoon in his youth. “And it was a day of daftness and joy, and if we’d never started and we’d never kept on going, just think of what we’d missed,” he says. This is what I love about this book: things are hard, but the challenge is worth the lovely exhilaration of doing something incredible. Friendships are begun, kids make stupid mistakes but live with it, and exploration wins out over logic.

Harry’s young neighbor, 11-year-old Liam, doesn’t shy away from the fact of Harry’s age. Liam’s supremely youthful voice introduces us to Harry and his apartment with blunt truth. “It smells of old bloke in here. Suppose it’s bound to. Suppose he can’t help it. Suppose I’ll smell like old bloke myself one day. Pee and sweat and ancient clothes and dust. The sun shines through the window. Dust’s glittering and dancing in the shafts of light….”

Because the dialect can be difficult to understand, and because this book is a pocket of surprise adults will love as well, it’s a good idea for children to read this aloud with a parent or other adult. That way, lines that are hard can be dissected together, such as, “’But we’re half knackered already’, sez Stanley. ‘By the time we run aal the way back again we’ll be bliddy deed.’” As you can see, spelling is anywhere near the norm in this book, and the manner of speech is definitely affected.

The illustrations are a loose, giddy romp that perfectly suit the depth and humor of the text. Especially appreciated are the publisher’s notes on the media used: watercolor, gouache, pencil, and ink.

Harry is a lovable curmudgeon who has much to give young readers. As he says, “Me great achievement is that I’ve been happy, that I’ve never been nowt but happy.”

What do you say teachers, parents and writers? Use the comment below and let’s chat….

Interview: Photo Illustrator Alisa Mokler Harper

B&W.Self.Portrait

INTERVIEW:

Photographer Alisa Mokler Harper

 

Alisa Mokler Harper is a photojournalist who works on the television production crew for ESPN’s X Games. She’s also a two-time X Games competitor, former U.S. Snowboard Team member and has recently co-created The G.G. Series, new chapter books, in which she contributes photo illustrations. I caught up with her at home in Colorado after the launch of the first book in the series, G.G. Snowboards.

 

In G.G. Snowboards, a lot of the dramatic tension revolves around the eight-year-old G.G. getting the nerve to try a halfpipe ride. Do you remember your first pipe? Hmmm… I don’t remember the first time I rode the halfpipe, but I do remember the first time they introduced the superpipe—which took it from about 12- to 14-foot walls to 18-foot walls; it was a BIG difference. We were all, well, scared. Everybody—all the pros—everybody was so scared. It was at the first contest of the season at my home pipe in Mammoth, but it was like nothing we’d ever seen before. I guess we finally got up the nerve to drop in and the more we rode it the more we got used to it. Now the pros ride a 22-foot superpipe… I feel like G.G. when I think about that!

AirtoFakieAlisa Mokler Harper throwing an air to fakie in the superpipe.

As both an athlete and an artist, do you see correlations between how an artist and an athlete prepare for or tackle their work? A lot of visualization as an athlete, and a lot of visualization with this book as well… as to where to place what photos, and what was going to be needed to be suggested with each chapter. (Laughs) But, I wasn’t lifting any weights.

Chapter books traditionally use line art as illustrations. How do you think kids will react to the use of black & white photos in G.G. Snowboards? I hope well. I know it’s really different, and black & white photography is not generally geared towards children—it’s more geared toward fine art. But I think a lot of people underestimate kids and what we have done with these photos really respects kids’ intelligence. At first I wanted to make the pictures more like line drawings, but as I got into it I realized that just wasn’t going to work. We had to go with the photos as what they were. The photos had to evolve as the first book came together and though it was sort of a complicated process, I’m happy with what we got.

You create artwork for gallery installations for the adult market. Did your creative process change for your work as part of children’s fiction? Yeah, it changed a lot. I really had to think about not presenting things so literally, but presenting a notion or a feeling toward an idea. I wanted to show what a moment might feel like, but still let kids make up their own story in their heads. Not put it there for them.

You have two young girls. What do you think you might do differently if you had boys? I don’t think that I would do anything differently because, you know, I get my girls involved with sports and we do physical things that are traditionally considered boy things—like snowboarding, for instance. I’d have less pink around the house—that would be nice.

You work for ESPN’s television production crew for the X Games. People think of jobs in TV as sexy, and sports as cool. What are your days like when you’re working an X Games? Grueling. It’s so grueling. It’s long and competitive and lots and lots of computer time and office time and, you know, I can’t count the number of times people have told me, “You have the best job in the world!” Yeah, it’s definitely not as glamorous as most people think. It’s challenging, and I get to work with amazing minds that create an amazing end product, and so I really appreciate that. What do you mean by competitive? It’s a very competitive industry. There’s a lot of people who want to work in sports, and a lot of people who want to work in sports journalism. And if you’re not at the forefront of what’s going on, and if you’re not a thinker and a doer, there are 100 people right behind you who will take your spot.

Catch Alisa’s work this week when the Winter X Games Aspen 2014 begin Thursday, January 23 and continue through Sunday, January 26, 2014 on ESPN. You probably won’t see or hear about her, but know that when you’re watching at home, she’s in Aspen pulling long days with the rest of the TV crew. Enjoy your couch….

AlisaHarper catching a great day on the slope.